Thursday, September 22, 2011

The Kolob Tabernacle Gets Under His Skin

By prophet seer and revelatory fiat it was built at the crossroads, not at the corner of one quadrant as ever since cardo and decumanus first had it so but at the geometric centerpoint at the very intersection of the centerlines of the two roads in the perfect as-drawn crosshaired bullseye of what would have been a roundabout had more urbane planners had their way but which evolved in fact to become a rough rutted swerve of trafficked bare hardpan and later a merely expedient sweep of asphalt in the midst of which the Tabernacle now stood autonomous, alone and to appearance arbitrary so that what began as fiat ended up as apparent mistake, the certainty of the prophet seer and revelator coming finally to light as hamfistedness, the way what is white and bloated and fishbitten finally slips its chains and surfaces to indict.  He thought: this is a likeness of our discomfort with the social order: that the Tabernacle, meeting place for the propagation of edicts, the leveling of censure, the knitting of the congregation, the buttressing of values and family and general cohesion, should so whelm the townplan that all roads must needs finally go their near-heedless way around it lest it govern overmuch the hurried passage of the people who no matter their allegiances must get where they are going.  And that in delaying them every day by looming there omnipresent, unaware of its architectural solecism, a shadowing reminder of their oaths and contracts, it so chafe and irk that they tire of the order it was placed there to keep and become wild.  Thus the rough expedient looping of the blacktop where the prophet had designed a neat-compassed circle did for him, for this modern man this century later, symbolize the accommodations people, individuals all, make to live with each other else the social contract so irk and chafe that at some personal culmination one of the overregulated citizens mix fertilizer with diesel and bring down the Tabernacle.  In this vast country at least it is in no one's nature to be so overseen, stared-down on and disapproved of, by this kind of unblinking panoptic presence of distant authority.  It loomed there and he imagined it circled with a wind-rippled God-sustained red banner declaring Non Annuit Coeptis.  One may love the church and resent its nagging.

Then one moonless night in the deadwinter the man ran off the expedient asphalt, well into his fifth of Jameson's, and came up in the ditch in the deep snow, tires frictionless, and the headlights bore an upangled wedge of light through the snowfall directly at the facade of the Tabernacle.  For a long few minutes as he reeled behind the wheel it glowed alone and faceless in all the night and as the man noted how its fine old stone was now nearly hidden in the aluminum and vinyl of the expedient costeffective tithebought recent remodel and the whiskey sidled up his esophagus in unctuous laminar flow then he became convinced of his night's work.  He offed the headlights, lurched the two blocks home, and returned with paint and roller.  In the near-complete dark he overturned a trashcan, chinned the gutter over the new storefront entry, made the roof, and considered his canvas: an uninterrupted upper wall of squared blocks of red sandstone maybe forty feet across and taller than he could reach.  He marked the very axial center of the wall, the spot bisected by the cardo of Kolob Town, and drafted in white oil housepaint a vast eyewhite, almond, symmetrical, and stylized.  Then an arm-compassed iris of barnred, then a pupil in stoveblack, which he drew purposely smallish because he imagined it would seem to squint its contempt.  He stood back, woozy in the cold, disordered by the gusting of the snow.  The eye was plain even in this moonless solstice, fairly done, clear and simple, iconic.  He threw the paint buckets down into the snow and jumped after.  He worried briefly about the footprints in the snow between his truck and the road.  He left the paint to freeze, fetched a shovel from the bed and began to dig and sometime later, with the whiskey wearing off, he drove home.

3 comments:

  1. this perfectly evokes the way the old tabernacles preside over the towns. I lived for 3 months across from the bountiful tabernacle and it powerfully dominated the psyche of the community. The west wall would have been a good place for Sauron's eye. Love it.

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  2. This'll be one of the Kolobites.

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  3. This character is now named Ted May, and he appears in a new post: http://offwithourheads.blogspot.com/2014/07/ted-may-gets-out-of-house.html?m=1

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